Album covers

American Graffiti

American Graffiti Various artists – 41 Original Hits From The Sound Track Of American Graffiti – Original Soundtrack 1973. MCA Records No creative credits are listed, unfortunately, as it’s a great example of airbrush art. The album has a unique vertical gatefold that opens somewhat like a centerfold.

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Fantasma

Fantasma, by Cornelius. 1997. Trattoria/Polystar/Matador Records. Artwork by Masakazu Kitayama and Mitsuo Shindo. Photography by Hiroshi Nomura.

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Reverence

Reverence, by Parkway Drive. 2018. Epitaph Records. Design by Donny Phillips and Kihl Studio. The beauty of this cover lies in the cover painting “The Fall Of The Damned,” painted in 1620 by Peter Paul Rubens. You can see this gorgeous painting at Alte Pinakothek, an art museum in Munich, Germany. Get it here: https://amzn.to/2WgwQkb   At right, the band Parkway Drive poses with the original Rubens painting.

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Jekyll + Hyde

Jekyll + Hyde by Zac Brown Band 2015 by Big Machine Label Group Art Direction, Creative Direction by Danny Clinch, John Varvatos, Kenny Gravillis, and Zac Brown Design and Layout by John Varvatos and Kenny Gravillis Photography by Danny Clinch

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Exotic Birds and Fruit

Exotic Birds and Fruit, by Procol Harum. 1974. Chrysalis Records. Cover painting by Hungarian painter Jakob Bogdani, 1658-1724. The front cover painting was reproduced by kind permission of Roy Miles Fine Paintings, London. Get it here: https://amzn.to/3cSnMYn From Wikipedia: Known for his bird paintings, Bogdani featured an array of exotic species such as cockatoos, macaws, and mynas, which were likely to have been imported to European menageries at the time. He mixed them with familiar European birds such as great

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Psalm 69

ΚΕΦΑΛΗΞΘ, by Ministry. 1992. Warner Bros. Records. This album is alternatively titled as “Psalm 69: The Way to Succeed, and the Way to Suck Eggs. Artwork and design by Paul Elledge with assistance from Thirst. On a personal note, this is the soundtrack of my college years: I remember driving on long, wonderful road trips with great friends blasting this album at full volume. Seeing Ministry on tour for this album is still one of the greatest concerts I’ve ever

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This Time

This Time, by Dwight Yoakum. 1993. Reprise Records. Art Direction by Dwight Yoakam and Kim Champagne. Design by Kim Champagne. Photography and painting by Kip Lott.

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Heaven and Hell

Heaven and Hell, by Black Sabbath. 1980. Vertigo Records. Released in the U.S. by Warner Brothers. This is the first album to feature singer Ronnie James Dio. Art direction by Richard Seireeni, who oversaw cover designs for artists as diverse as George Benson, Van Halen, Jimmy Buffet, Devo, Funkadelic and Elton John. The unforgettable cover art is by painter Lynn Curlee, who is still an active artist, but has only painted two album covers, Heaven and Hell, and Agents of Fortune,

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Signs

Signs, by Tedeschi Trucks Band. 2019. Fantasy Records. Painting by Alec Huxley. Tab Winters, Creative Director. Artwork by Madalyn Stefanik. Photography by Jay Blakesberg and Shervin Lainez. Get it here: https://amzn.to/2sR4OQG

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1984

1984, by Van Halen. 1984, Warner Bros. Records. Illustration by Margo Zafer Nahas. Photography by Raul Vega. Art Direction by David Jellison and Richard Seireeni. Four-year-old Carter Helm was the model for this iconic cover. Artist Margo Nahas had photographer Raul Vega take a photo of Carter, her best friend’s son, posing with candy cigarettes and a ton of gel in his hair. Margo had a fascination with angels and devils, and so painted on the angel wings. The painting

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Fear Inoculum

Fear Inoculum, by Tool. 2019. Tool Dissectional/RCA. The album cover is gorgeous and intriguing, designed by artist Alex Grey, a long-time collaborator with Tool who has designed their past covers. But like Anima, Lateralus and 10,000 Days, their packaging is much more than flat artwork printed on paper. In the past, Tool has incorporated unique techniques like lenticular printing, stereoscopic displays, embossing and overlapping, translucent layers of acetate. The Fear Inoculum package includes a CD in a tri-fold Soft Pack

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Mer De Noms

Mer De Noms, by A Perfect Circle. 2000. Virgin Records. Art concept: Maynard James Keenan. Art Direction and design: Steven R. Gilmore. Logo design: Billy Howerdel. Photography: Sean Murphy.

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Louder Than Love

Louder Than Love Soundgarden. 1989, A&M Records, Inc. Art direction and design by Art Chantry. Cover work by Bruce Pavitt. Cover photography by Charles Peterson. Additional photography by Michael Lavine. Louder Than Love, Soundgarden’s second full-length album and first album on A&M Records was released on this day, September 5th, 1989. While Soundgarden would achieve great success with their next two albums, 1991’s Badmotorfinger and 1994’s Superunknown, Louder Than Love is arguably the blueprint for what would be come known

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Grand Canyon Suite

Grand Canyon Suite, Arturo Toscanini and NBC Symphony Orchestra, Ferde Grofé, conductor. 1945. RCA Victor Red Seal. Cover design by Alex Steinweiss. Steinweiss is one of the greatest album designers of all time. Working from 1938 into the 1970s, he designed more than 2,500 album covers. This album is featured in the “WPA Style” category of design. Get it here: https://amzn.to/2DbHsdP

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Les Chants de l’Aurore

Les Chants de l’Aurore, by Alcest 2024, Nuclear Blast Records Cover painting by Yoann Lossel The cover art is a tribute to “The Spirit of the Plains” by Australian painter Sydney Long, 1897.

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Diamonds and Pearls

Diamonds and Pearls, by Prince & The New Power Generation. 1991. Paisley Park / Warner Bros. Records. This was the initial release with a custom hologram on the front. Art direction by Jeff Gold and Tom Reaction. Hologram artwork by Chris Mahne. Design by Greg Ross. Eye logo design by Stephanie Bennett. Photography by Joel Larson.

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Harmonica Blues

Harmonica Blues (Great Harmonica Performances Of The 1920s And ’30s). 1976. Yazoo Records. Album cover art by Robert Crumb. Robert Crumb, the cult illustrator behind “Keep On Trucking’” and Fritz the Cat actually has a number of album covers to his credit, and an incredible collection of drawings of famous blues musicians. If you’re not familiar with the art of Robert Crumb, it’s worth reviewing his body of work, which spans over 70 years. Better yet, watch the documentary, “Crumb.”

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Extraterrestrial

Extraterrestria, by DJ QBert. 2017. Thud Rumble Records. Why is this album design so cool? First it’s a beautiful design by Doug Cunningham of Morning Breath, Inc. Even more significantly, however, this album is a collaboration by DJ QBert with software engineering firm Algoriddim and Novalia, a company that makes interactive paper. The result? This album cover is actually a functioning Bluetooth DJ controller. This was a very limited edition box set, around 500 produced, so it is out of

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